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    Swarm of Selenium In the surreal dystopian present, a group of friends cohabit the shells of an abandoned malt factory. The collage on the CD cover is very mysterious and atmospheric.

    Could you explain the concept behind this image, and how the ideas for it developed? The idea was taken from a French movie called "The city of the lost children".

    There is actually a story if you look at all the pictures in the cover. First we are in the boat of course and searching for different things.

    And then we dive into the water and keep searching for something and then there is a diver who captures these three girls. How is it gonna end? I think that we just get a kiss before we go.

    I think you can see the references in the story, the colours, the mood and atmosphere if you watch the movie.

    I love your music. You create something totally new between Rock, Pop, Folk, Balkanbeats, circus music and country. Where do you get your inspiration for your songs?

    We are four very different girls with very different tastes of music and our common references are in some ways old movies.

    We all like Disney movies and visual stuff. We have as well as different things very different tastes of music that we listen to and we put this together and then we get this crazy Katzenjammer-sound.

    Why did you cover this song in particular? And then we needed a cover song for a Radio show. And I already arranged this song a long time ago with another band.

    I love Genesis and Phil Collins. Why did you decide to use this exceptional and rarely used instrument? There is a friend of ours.

    A sousaphone is a tuba. You put it on along your body and circle your body and the tone is coming out above your head. We like the way it sounds.

    In total the band plays 30 instruments. In addition to the usual band instruments like piano, guitar, drums and bass, you are also playing instruments like the mandolin, tuba, accordion, zither, banjo and ukulele on your album.

    What was learning how to play all these instruments like? For example, how difficult was it? It differs from instrument to instrument.

    The banjo is not long. And now all songs I like on the guitar, I like on the banjo. Sometimes we spend a lot of time practising in periods. Sometimes we actually just listen to an instrument and think "Oh that sounds great" and then we start practising it.

    How did this come about? Sometimes they really insist that I continue, but I like to leave them in suspense and half jokingly say: Also, her affair with Rolf turned sour when she all of a sudden discovered his homosexual tendencies".

    Then someone in the group makes a smug joke, "What took her so long? Heino was 35, a charming and artistic type. Love was not the reason for their relationship.

    For Heino, Stella was life. She managed to keep striking him off the transport lists. And Stella needed Heino as a character witness. Stella was no fool.

    It was clear that the war would come to an end soon, and although she had managed to survive deportation and death by the Nazis, she would soon have to account for her collaboration.

    She was hoping Heino would come in handy. As the Soviets came closer to Berlin, Rolf attempted to escape to Denmark on his own.

    After the war, he was on the wanted list by the soviets, but they never managed to cover his tracks. He was declared dead. Stella was now pregnant, most likely from Heino.

    He helped her escape and arranged for her to stay in Liebenwalde , a small town outside of Berlin, where she gave birth to a baby girl.

    Stella named her daughter Yvonne Meissl. Heino Meissl wanted nothing to do with Stella after the war. Life under the Soviets was harsh. One day, Stella complained to an acquaintance that the Soviet Secret Police were worse than the Gestapo.

    The acquaintance reported Stella to the local police. Stella ended up once again getting a taste of her own medicine. She pleaded innocent, claiming that she was Jewish and therefore also a victim.

    The police took her to the Jewish community in Berlin, to see if anyone could identify her. Stella was remembered alright.

    An official had to prevent Stella from being beaten up but did allow her hair to be forcefully cut off. She stood before a military tribunal and was sentenced to ten years.

    She served two years of her sentence in Sachsenhausen, a former concentration camp. Stella Fights for Hope After she was released in , Stella decided to go to West Berlin to try to locate her daughter, Yvonne, who was being raised by a Jewish foster family.

    In less than a year she found herself on trial which received a lot of media attention. This time there were witnesses at the trial.

    She denied she knew any of them. Despite being ill with tuberculosis, most of the time she kept her demeanor, showing up to court elegantly dressed, adorned with a pair of white gloves.

    She claimed to be hated and persecuted by the Jewish community because of her beauty. The trial ended with no further punishment.

    However, she was granted permission from the court to meet regularly with her daughter. By then, Stella was married for the fourth time. Yvonne, who had heard stories about her mother from her foster family, wanted nothing to do with Stella.

    When Yvonne went to visit her mother, she would more or less ignore her. Later on, Yvonne was trained as a nurse and immigrated to Israel.

    Stella ended up as a lonely and depressed old woman. She only very partly took responsibility for her crimes and continued to see herself more as a victim then a perpetrator.

    In , she committed suicide by jumping out of the window of her flat in Freiburg. Others sympathize with her:

    These are questions that come into my mind when I think about Stella Goldschlag. A carefree year-old from West Berlin, with golden locks, a cheeky smile and aspirations of becoming a Jazz singer, whose life became about survival and betrayal just because she was a Jew in Nazi Germany.

    I guide curious tourists through the Scheunenviertel "Barn Quarter". Before the war it used to be a rundown neighbourhood where many poor Orthodox Jews from Eastern Europe settled when they fled the pogroms at the beginning of the 20th century.

    I just call her Stella. Stella was used by the Gestapo to catch Jews who were trying to escape deportation by hiding. There were about eighteen other Jews in Berlin who were working as "Greifer" , "Catchers" or "Snatchers".

    She was an only child, pampered with beautiful dresses, adored and somewhat smothered by her loving parents, especially by her father, Gerhard Goldschlag.

    She came from a secular and well-assimilated family. Her father was a World War I veteran. The first time Stella realized she was different, was after the Nuremberg laws, when she got kicked out of school.

    Instead she had to attend a private Jewish school. Peter Wyden, a schoolmate from the Jewish school, who had a hopeless crush on Stella, later wrote a book about her life "Stella: She was the sexual fantasy of the boys, who lusted after her but never stood a chance.

    The girls admired her and envied her at the same time. Immigrating without having financial abilities was nearly an impossible task.

    Stella did have a chance to escape on her own to Britain through a school trip that the headmistress of the Jewish school organized, but her father refused she go alone.

    They would emigrate together or not at all. After the war started, Stella, her husband and her parents, like many other Jews in Berlin were turned into forced labour by the Nazis, working long hours in factories around the city, which was still a better option than being deported to Ghettos and concentration camps.

    For a week, the SS raided the factories in Berlin where Jews were working. Stella and her mother Toni managed to escape the raid by hiding in the factory basement, under a large cardboard box.

    Later, they slipped out of the factory unnoticed. Stella was saved by her "Aryan" appearance. Stella and her parents had managed to avoid deportation for the time being.

    From School Starlet to Underground Gal One of the key ways to survive in hiding, besides having food and shelter, was to have forged identification documents.

    With a bit of luck and contacts, Stella managed to obtain some of the documents she and her parents needed.

    Through a mutual acquaintance who worked at a delicatessen restaurant, Stella managed to set up a meeting with Rolf Isaaksohn, a document forger.

    Rolf taught himself the skills of the trade and charged high fees for his documents. He was in his early twenties, devilishly handsome with a dark complexion, oozing with charm and charisma, but beneath his polished appearance he was viciously sly.

    He had the presence of a movie star and alongside his forging career, he also worked as an extra at the Staatsoper. Stella and Rolf met while queuing in the line of the delicatessen and the two hit it off instantly.

    Rolf supplied Stella and her parents with the missing documents. Well, this is exactly what happened to Stella. Stella tried to start up a friendly chat with her, but Lustig was nervous and kept a distance.

    A few minutes later the Gestapo came in and took Stella and Rolf to Burgstrasse. The Gestapo transported Jews in furniture trucks to hide their crimes.

    When Stella saw Lustig standing next to the truck, she knew instantly that she had been betrayed. Stella started off as a victim of the same crimes she herself would soon perpetrate.

    On the 10th of July, which was her 21st Birthday, she was permitted to have dental treatment. The police dental ward was under-guarded and Stella took her chances and escaped.

    It was too risky for the friends to hide all three of the Goldschlags, so they checked into a boarding house which was considered safe.

    Little did they know that the Gestapo had the place under surveillance. The same night the Goldschlags were arrested.

    Stella was returned to prison. A few weeks later the prison was bombed in one of the Allies air raids on Berlin.

    Stella managed to escape the burning building. Yet instead of pursuing her freedom she walked across town, injured from the air raid, and gave herself up at the assembly camp on Grosse-Hamburger-Strasse so she could reunite with her parents.

    He immediately recognized her potential: Also, her love and devotion to her parents were the perfect tools to manipulate her.

    Stella managed to negotiate exemption from the next transport for her and her parents in return for her help. She received a list of Jews in Berlin that the commander wanted her to track down.

    She was also expected to initiate her own leads. His talent as a forger made him valuable to the Gestapo.

    Stella and Rolf worked as a team, roaming the streets of Berlin together, looking for familiar faces, former colleagues and school friends or people who looked as if they could be Jewish.

    They became too well known to continue to operate together and had to start going on missions separately or with other Catchers.

    They had various methods to catch Jews: Stella would show up at funerals of Jews who were mourning Aryan partners, and who were therefore no longer protected by law.

    She operated mainly around West Berlin. Sometimes, when she suspected people to be Jewish, she would offer them help with food and shelter.

    If they accepted her offer, she would set up a meeting and bring the Gestapo along. She would ask for help from old acquaintances, and when they swallowed the bait she would lead the Gestapo right to them.

    There were also privileges that came along with this job, such as not having to wear the yellow badge, receiving money from the Gestapo and most importantly: Stella managed to remove her parents from the deportation list again and again.

    But in February , her parents were deported to Theresienstadt, and from there to Auschwitz where they were murdered. Stella wanted to join her parents, but they insisted that she should stay and save herself.

    It is difficult to say how many Jews she actually caught, the figures vary, but it is estimated that she and Rolf caught hundreds of Jews together.

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    Sign up to our newsletter to receive the latest updates! Fattitude Fattitude is a feature length documentary that exposes how culture — particularly media culture — encourages weight bias and then offers alternative ways of thinking […].

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